For a few weeks I have been delaying the printing process due to some technical factors, primarily registration. I decided to use one registration method for 2 blocks so I can be consistent on my allignment. I decided to use the White Line printmaking method of registration by securing a "tape hinge" from the printing paper to the printing surface. So, after I worked out some of the details in my head for the printing process, I was ready to start. I am making a woodcut print from 2 different plates. The first plate, I already described in an earlier post, was created with a variety of hardware store punches, and awls that gave me a variety of different marks on the wood. This plate was printed using a regular brayer to ink the surface, and I altered the color after each printing. This process was quick and took no more than an hour to produce 4 prints in yellow, orange, gold-orange, and gold-red. (photo of yellow orange, plate #1 )
After printing the first plate the real time consuming challenge sets in, as I have far more color options with the second printing plate. I have a basic idea where I want some of the lights and darks to generally exist, but because there is so much printing to do and my color choices change quickly, a true finished work is almost impossible to conceive.
I begin by printing some of the light colors first and immediately notice how the texture of both wood surfaces from each plate are sometimes fighting each other as well as blending with each other in various places. This wood grain texture changed the printing style and direction with the inks. I experimented with the opacity of the inks, allowing some of the first plate to show through with very thin inked areas, or condense the ink and made very opaque
(Left=photo of printed image after a few areas are completed)
(photos stages 4,5 &6)
Eventually, I could do no more, so…now this print is off to the drying rack. I am now actively thinking of the second print with the general idea that the color scheme can not be the same. The challenge will be working with the color from each printed proof of the woodcut plate #1......and I need to find another 6 hours.
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